Introduction

Klára S. Szlezák, D. E. Wynter

1-9

Zelig

a simulated life

Britta Feyerabend

13-30

Woody Allen's Blue jasmine

a seductively scented flower performing in a theatrical bubble

31-47

"Thank God the French exist"

exploring the referentiality of the formal elements of film in Deconstructing harry

Martin R. Hall

51-67

Two and a half

nostalgia, modern parody, and Fellini in Stardust memories, Radio days, and To rome with love

Giacomo Boitani

68-84

Oedipus or the wrecks of the wasp disguise

Naama Harel

87-99

Woody Allen and the absurdity of human existence

origin, legacy, and human agency in God and Mighty aphrodite

Michael Fuchs

100-116

"A full meal with a vitamin pill and extra wheatgerm"

Woody Allen, Dostoevsky, and existential morality

Zachary T. Ingle

119-136

"Darling, have you seen my Strindberg book?"

dialogism as social discourse in match point

D. E. Wynter

137-155

Guitar and cultural trespass in Vicky Cristina Barcelona

Allan Havis

159-172

"Hi mr. Hemingway"

time and space, travel, and literary heritage in Midnight in Paris

Klára S. Szlezák

173-189

Woody and "Woody"

the making of a persona

Wieland Schwanebeck

193-209

Magical tricks and Ingmar Bergman

referentiality in magic in the moonlight

Maria E. de las Carreras-Kuntz

210-226