Of the earth

Heidegger's philosophy and the art of Andy Goldsworthy

Tobias Keiling

pp. 125-138

in: Jussi Backman, Harri Mäcklin, Raine Vasquez (eds), Thinking Contemporary Art with Heidegger, Journal of Aesthetics and Phenomenology 4 (2), 2017.

Abstract

One of the most prominent notions in Heidegger's thinking about art is that of the earth (die Erde). This paper probes the phenomenological potential of Heidegger’s concept by turning to the work of contemporary British artist Andy Goldsworthy. Drawing from Heidegger’s theoretical writings as well as his analysis of a poem by C.F. Meyer in “The Origin of the Work of Art” and his 1936–37 seminar on Schiller, I show that Goldsworthy’s sculptural art exemplifies different phenomenal traits of the “earth.” To supplement Heidegger’s discussion, both Husserl’s claim that the earth defines the “spatiality of nature” and the role of the earth in Hegel’s philosophy of nature are taken into account.

Cited authors

Husserl Edmund

Heidegger Martin